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Rusudan Khizanishvili’s  personal Iconography

TBC Concept Gallery is pleased to present the exhibition Rusudan Khizanishvili’s Personal Iconography. The exhibition unfolds in two parts: the first floor is dedicated to graphic works, while the second floor features six large-scale paintings.

Although Khizanishvili is widely recognized for her vivid and colorful canvases, her black-and-white drawings in pencil are being presented here for the first time as a separate body of work.

What do these graphic works reveal? At first glance, they might resemble illustrations for a fairy tale. Yet the narrative, the myth, or the character they might belong to remains elusive. Khizanishvili’s women appear as heroines of unknown myths, inhabiting enigmatic scenes whose storylines resist easy deciphering. Their mystery recalls the black-and-white collagraph prints of the Cuban graphic artist Belkis Ayón, who drew on the secret, orally transmitted stories of the Abakuá religious society.

Khizanishvili paints her canvases in the studio, but her works on paper are created at home. As the artist herself notes, each drawing functions like a diary entry. With graphite pencil she renders exaggerated figures of her protagonists—giant women whose very skin takes on a strange, textured surface. Through layers of directional hatching she transforms their bodies until they seem clothed in scales or wings. These figures may be dining, embracing skull-headed creatures, or lying in a sulfur bath where a masseur stands pressing down on them with his feet.  A lot is happening in these drawings: the artist uses her imagination to create a personal iconography and tells stories through her own characters.

Rusudan Khizanishvili lives and works in Tbilisi. Over the past decade, her work has been exhibited extensively in Georgia and internationally. She currently collaborates with several international galleries, including Kornfeld (Berlin), LJ Galerie (Paris), Mimmo Scognamiglio (Milan), and Window Project (Tbilisi).

In 2025 she held a solo exhibition at Seojung Art Gallery (Busan/Seoul, South Korea) and participated in a three-artist group exhibition at Kornfeld (Berlin). Later this year, a duo exhibition is planned at CAM Galería (Mexico City, Mexico).

Her works are part of several public and private collections, including the Georgian National Museum of Art, Oni Regional Museum, the Kvareli foundation, and the Breus Foundation.

All works on view are courtesy of the artist and gallery Window Project, Tbilisi.

Curated by Irena Popiashvili.

Venue: Marjanishvili 7, TBC Concept  Flagship

Exhibition opening: September 1st, 18:00- 20:00

Exhibiton duration – 1.09.-15.10.2025

Opening hours: Monday – Saturday, 10:00 – 20:00.

TBC – The Winner of the Google Cloud DORA Awards 2025

As Georgia’s leading fin-tech company, TBC aims to showcase to the global tech community how actively engaged Georgia is in the world’s evolving technology landscape.

The DORA Awards are Google Cloud’s most expansive, long-running research-based recognition program, assessing what truly fuels software delivery and operational performance.

TBC won in the “Loosely Coupled Teams” category—one of DORA’s most critical focus areas.

Winning this award means TBC creates high-performing teams that:

  • Work independently, with clear ownership and responsibility

  • Have minimal dependencies on other teams to deliver value

  • Can deploy, test, and change code or infrastructure autonomously

  • Collaborate effectively without being blocked by other departments or approvals


By recognizing this victory Google officially validates that our team structure, tech infrastructure, and software architecture are modern, agile, and aligned with DevOps best practices, enabling fast, efficient, and responsible delivery.

Bidzina Matsaberidze, CHIEF INFORMATION OFFICER:

“As the country’s largest fintech company, our goal is to use technology to craft simple, comfortable products and services for our users. That’s why we invest in both tech health and organizational design, to be faster and more effective. We want a clear, objective picture of how we stand as a fintech company, so we leverage globally recognized benchmarks, which is exactly why we chose Google’s DORA program.

Being singled out and winning among the many global participants means, on one hand, our tech team governs the company with a smart strategy, and on the other, the business uses tech to deliver the best user experience through simple, innovative services.”

Giga Shubitidze, SDLC Governance Lead: “This award affirms our strategic transformation over recent years and carries added significance through acknowledgment by a global technology leader such as Google

In simple terms: we’ve accelerated how quickly new features reach users by introducing product-aligned teams, minimizing inter-team dependencies, modernizing monolithic systems into microservices, automating infrastructure provisioning and CI/CD entirely, launching real-time monitoring and alert systems, and cultivating a strong DevOps culture grounded in the principle: ‘you build it, you run it.’

As a result, we shortened software delivery time from months to days and boosted deployment frequency by over 600%.

This win from Google is massive motivation for our tech team. We’ll continue our relentless evolution to deliver faster, more reliable, and innovative digital services to our users.”

TBC Uzbekistan Recognized Among World’s Top Fintechs by CNBC and Statista

Tashkent, Uzbekistan – 16 July 2025 – TBC Uzbekistan, the leading digital banking ecosystem in Central Asia and part of London-listed TBC Bank Group, announces that it has been recognized as one the world’s top fintechs in the neobanking category. TBC Uzbekistan is the first and only business from Uzbekistan and the wider Central Asia region to receive this accolade.

The World’s Top Fintech Companies list, compiled by CNBC and Statista, is an important benchmark for the fintech industry. It is based on an in-depth analysis of key performance indicators (KPIs), such as revenue, profitability and other financial metrics, as well as number of customers, loan and deposit portfolio growth, transaction volume, market share, and staffing data.

TBC Uzbekistan’s ecosystem reached 19.7 million users and includes TBC UZ, the country’s largest digital bank, digital payments app Payme, BNPL business Payme Nasiya and TBC Insurance. It was included in the world’s top fintechs list in the neobanking category, reflecting the digital banking powerhouse’s rapid growth and high profitability, as well as its commitment to bringing best-in-class, fully digital financial services to Central Asia’s most populous nation.

Nika Kurdiani, CEO of TBC Uzbekistan, commented: “It is a real honour for TBC to become the first and only business from Uzbekistan and Central Asia included in The World’s Top Fintech Companies list of 2025. We are grateful that the rapid, profitable growth we continue to achieve in the country, while staying committed to innovation, has not gone unnoticed by the international community. Uzbekistan is one of the most exciting, high-growth markets for digital financial services globally, and we are proud to be leading the way consistently raising the bar for innovative financial services in the country.  Being recognized by CNBC and Statista stands testament to both TBC’s success in Uzbekistan to date and the country’s overall development – but this is just the beginning, as we continue to diversify our product offering and build out our ecosystem.”

TBC Uzbekistan continues to expand its offering as it further builds out a comprehensive digital ecosystem for all its users’ financial and lifestyle needs. Over the past year, it has launched and scaled a wide range of new products, including Salom Card, its flagship debit card and daily banking product, Osmon Credit Card, TBC Business banking and lending, as well as TBC Insurance. In June 2025, TBC Uzbekistan also announced the acquisition of a majority stake in BILLZ, the country’s leading retail SaaS management platform, to enhance its reach into the strategically important SME segment.

About TBC Uzbekistan

TBC Uzbekistan is the leading digital banking ecosystem in Central Asia and part of London-listed TBC Bank Group.
TBC Uzbekistan’s success is driven by its purpose-built tech stack, experienced international team and a consumer lending-led product strategy, supported by its first-mover advantage in Central Asia’s largest nation by population. The company continues to expand its innovative, best-in-class product mix, leveraging low retail banking penetration and a rising appetite for modern financial services among the country’s young, growing, and digitally savvy population.

TBC Uzbekistan comprises high growth fintech businesses operating in Uzbekistan: TBC UZ, the country’s largest digital bank; Payme, a digital payments app for individuals and small businesses; Payme Nasiya (Payme Instalments), a fast-growing BNPL business; and TBC Insurance.

TBC Uzbekistan reached profitability 2 years after launch – a record time-to-profit among global digital banks and has since scaled its user base to 19.7 million unique registered users. In 1Q25, the company recorded operating income of USD 57 million, with its loan and deposit books up 116% and 81% YoY respectively.

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GM PHARMA is advancing its R&D capabilities with targeted, cutting-edge training initiatives


Pharmaceutical manufacturing is among the most regulated and technologically advanced industries, demanding continuous innovation and unwavering quality. GM PHARMA, an international pharmaceutical company with over 600 professionals in Georgia and abroad, prioritizes excellence by investing in ongoing professional development. Regular training ensures company teams uphold the highest industry standards.

Recently, GM PHARMA conducted a three-day seminar focused on the DoE–QbD framework – a comprehensive approach of quality planning in pharmaceutical product development. This seminar brought together company staff from Research & Development, Quality Control, and Quality Assurance departments to deepen their expertise in key areas: Design of Experiments (DoE) and Quality by Design (QbD).

Design of Experiments (DoE) is a systematic methodology that uses statistical techniques to plan, conduct, and analyze controlled tests. In pharmaceutical drug development, DoE helps identify how various factors—such as ingredient ratios or processing conditions—affect product quality. By optimizing these variables early on, a company can ensure robust formulations and efficient processes.

Quality by Design (QbD) is a proactive approach that embeds quality into every stage of product development and manufacturing. Besides relying on raw materials testing, in-process control tests and  end-product testing, QbD emphasizes understanding all processes from the earliest stages of formulation and process design to ensure consistent outcomes throughout the product lifecycle.

The seminar was led by Dr. Shivang Chaudhary—a globally recognized expert in Quality by Design (QbD) and founder of QbD-Expert™—who shared practical insights drawn from his extensive experience in innovative drug development. He is the author of nearly 150 ready-to-use formulation templates designed to streamline the drug development process. Dr. Chaudhary’s platform is widely adopted in the development of both innovative and generic pharmaceutical products.

As Dr. Shivang Chaudhary notes:

“By embracing advanced methodologies such as Design of Experiments (DoE) and Quality by Design (QbD), GM PHARMA not only enhances new drug development process but also reduces risk while aligning with stringent international regulatory requirements set by authorities such as the FDA, EMA, and ICH. These frameworks represent the gold standard for proactive quality management in pharmaceuticals starting from new drug development – ensuring robust processes that meet global expectations.”

CEO of GM PHARMA, Levan Varduashvili Continues:

“The integration of DoE–QbD principles represents a significant advancement for GM PHARMA’s R&D function. As one of the most regulated and technologically advanced industries, pharmaceutical company demands continuous improvement and unwavering standards. Continuous training initiatives like this seminar for R&D reaffirm our commitment to innovation, regulatory excellence, and delivering high-quality pharmaceutical products worldwide.”

It should be emphasized that GM PHARMA, an international multinational pharmaceutical company, operates a state-of-the-art manufacturing plant in Tbilisi, supported by a 25-year history of continuous development. The facility continues to stand out as the only manufacturing site in Georgia with a full technological cycle for the production of solid dosage forms and remains one of the most advanced pharmaceutical manufacturers in the South Caucasus region.

The company holds all essential national and international certifications, permits, and licenses required for pharmaceutical manufacturing—including the Georgian national GMP certificate, the international PIC/S GMP certification, ISO 9001:2017, ISO 17025, and others.

A quarter of a century after its establishment, GM PHARMA continues to pursue ambitious goals—its current top priority is obtaining the European Union Good Manufacturing Practice (EU GMP) certification. This milestone will underscore the company’s commitment to the highest standards of quality and serve as a critical enabler for expansion into new markets. GM PHARMA is planning to initiate operations in EU member states, Southeast Asia, and Latin and Central America, supporting its long-term strategic growth objectives and strengthening its position within the global pharmaceutical industry.

Since its foundation, the company’s core values have remained unchanged – the development and delivery of pharmaceutical products that enhance patients’ quality of life and extend longevity.

GM PHARMA – Serving those who need it most!

East-West University Signs Groundbreaking Partnership with Arizona State University to Become a Regional Hub in the Caucasus for Innovative, Interdisciplinary, and International Education in Georgia

East-West University Signs Groundbreaking Partnership with Arizona State University to Become a Regional Hub in the Caucasus for Innovative, Interdisciplinary, and International Education in Georgia

Powered by Arizona State University, East-West University joins the ASU-Cintana Alliance to transform higher education in Georgia and prepare local and international students for global careers

East-West University is proud to announce a groundbreaking partnership with Arizona State University (ASU)—ranked the most innovative university in the United States for ten consecutive years by U.S. News & World Report (2016-2025). Through this collaboration, East-West University joins the ASU-Cintana Alliance, a global network of forward-looking universities committed to delivering high-quality, globally relevant education that meets the demands of a rapidly evolving world.

East-West University, currently centered around its flagship Medical Doctor Educational Program, is now entering a bold new chapter. Through its partnership with Arizona State University and status as a Powered by ASU® institution, East-West University is set to accelerate its growth, redefine its academic vision, and relaunch its brand with a compelling global value proposition. East-West University students will benefit from academic experiences aligned with ASU’s global standards, including access to ASU-designed curricula, world-class faculty development, global masterclasses, international research collaboration, and student exchange opportunities.

”East-West University is undertaking a strategic initiative to become a regional leader in international education, supported by its partnership with Arizona State University and the extensive global expertise of the Cintana Alliance,” said Giorgi Khurodze, President of East-West University.

In addition, East-West University’s expanded programs will be developed as dual degree pathways with ASU, giving students the opportunity—pending future regulatory approval—to earn both a Georgian degree from East-West University and an American degree from Arizona State University. These flexible, phased pathways will empower students to customize their academic journey, enhancing their employability and impact in both local and global markets.

“ASU is engaging with the intention of being part of a movement around the world to expand access to higher education and to expand high quality outcomes,” said Michael Crow, President of Arizona State University. “Our work with Cintana is focused on taking educational attainment and helping it to become more ubiquitously available. Wisdom is considered rare, something to be granted to other people and scarcity is considered to be good. That will not get us where we need to be as a species and as a global society. Our goal is to do something about that, at scale, and that’s exactly what we are doing.”

“East-West University is embarking on one of the most ambitious transformations we’ve seen in the region,” said Douglas L. Becker, Founder and Chairman of Cintana Education. “By joining the ASU-Cintana Alliance, East-West University is not just expanding its academic offerings—it’s reimagining what a modern, globally connected university can be. We’re proud to support this bold vision to build a new kind of institution that delivers international-quality education and prepares students in Georgia to lead on the world stage.”

East-West University also plans to strategically expand and diversify its portfolio of programs, aiming to become a truly international, innovative, and interdisciplinary institution. With this transformation, East-West University aspires to establish itself as a leading academic destination in the region—attracting both local and international students—and achieve an enrollment of over 7,000 students by 2034.

This ambitious growth will be driven by both the enhancement of its medical program and the launch of 22 new academic programs over the next five years. These new programs will span health sciences, business, digital technologies, and social sciences—fields where demand for high-quality education is growing both in Georgia and across the broader region. The initiative comes at a pivotal moment for Georgian higher education, where international student enrollment is increasing at a rate of 24% annually, and private universities now account for nearly 70% of total market growth.

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ZEG Storytelling Festival

What can a satirist and a data scientist teach you about war? How can a philosopher help you become a better storyteller? What can we learn from architects and curators about the future of our planet?

Are you ready to ZEG again? We’re delighted to announce that the ZEG Storytelling Festival, with the support of TBC Concept, is returning for its 5th edition, bigger and bolder, this summer. We continue to bring Georgia closer to Europe and the wider world by uniting global visionaries and storytellers from across disciplines for transformative conversations that challenge assumptions, reshape perspectives, forge meaningful connections, and inspire action – all against the enchanting backdrop of ancient Tbilisi.

Curated by award-winning journalists and designed for those passionate about shaping our collective future, ZEG Storytelling Festival embraces complex subjects while creating space for inspiring moments: unexpected insights, perspective shifts, and connections that last a lifetime.

The fifth edition of the ZEG Festival will take place on June 13-15. The festival will feature intimate conversations, thought-provoking panels, film screenings, captivating performances, transformative connections, hands-on workshops, walking tours, and more.

Among more than 100 speakers are Joseph Stiglitz, Nobel Memorial prize winning economist; legendary British photographer Platon; The New Yorker staff writer Ed Caesar; pediatrician Dr. Seema Jilani, who has worked with communities from Afghanistan to Gaza; Adam Faze, the 27-year-old writer, producer and director behind works like How Moving and River Fork; the renowned Chilean architect Alejandro Aravena, known for his innovative and sustainable urban design.We’re also delighted to welcome back satirist Armando Iannucci, creator of award-winning Veep and The Death of Stalin, and Ukrainian philosopher Volodymyr Yermolenkowith many more speakers to be announced.

ZEG Storytelling Festival is the first international storytelling event of its kind in the Caucasus. The festival brings together leading professionals and thinkers from almost every industry to figure out how we can craft narratives for the future.

In Georgian, “zeg” means “the day after tomorrow”, perfectly embodying our mission: discovering and sharing stories that matter beyond today. At ZEG, we believe transformative storytelling requires breaking down barriers between disciplines. That’s why we bring together renowned writers, thinkers, filmmakers, journalists, entrepreneurs, and artists in one extraordinary gathering.

Tickets: http://tkt.ge/ZEGFestival

As part of the presale offer, new TBC Concept cardholders have a limited-time opportunity to purchase tickets with a 25% discount, available only from April 7th to April 8th. From April 10th, a 15% discount will be applied to all TBC Concept Card holders.

Organizers: Impact Hub Tbilisi Coda Story

Partners: TBC Concept, UN Women, European Cultural Foundation, Coca-Cola, BMW, Culture of Solidarity Fund, Swiss Agency for Development and Cooperation, Windsor’s, Reckless, AI Accountability Network – Pulitzer Center, Adjara Group, Honore.

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The gallery of TBC Concept’s multifunctional space  is pleased to present Kote Sulaberidze’s solo exhibition My Caucasus

You can visit the exhibition from March 22, 17:00 to 20:00.

Exhibition duration: March 22 – May 31, 2025

The gallery of TBC Concept’s multifunctional space  is pleased to present Kote Sulaberidze’s solo exhibition My Caucasus. The exhibition brings together selected works created by the artist from the 1990s to the present day.

The main axis of the exhibition is the idea of ​​the Motherland, which crosses each of the artist’s works with direct or indirect references. In today’s context, where Georgia faces numerous challenges, this exhibition is not just a retrospective; it is a dialogue between the past and the present and reflections on the future. My Caucasus showcases works created alongside the first steps of modern Georgia—serving both as a historical review and a response to contemporary challenges.

In Kote Sulaberidze’s works, the Motherland is not just a geographical or political space but an emotional and cultural landscape, filled with both real and symbolic details—from the folds of a blanket to the slopes of a mountain. His art simultaneously reflects a dangerous, complex reality and an intimate connection to the Motherland.

Kote Sulaberidze (b. 1968) is one of the key figures in contemporary Georgian art. His works emerged in the 1990s, and since then, he has been actively engaged in conceptual painting, book illustration, and video art.

The artist has worked on the design and illustration of over 100 books, including Vano and Niko by Erlom Akhvlediani (published in Dutch by Voetnoot, 2003), as well as the Georgian editions of One Flew Over the Cuckoo’s Nest by Ken Kesey (Diogene, 2012) and The Name of the Rose by Umberto Eco (Diogene, 2011).

Kote Sulaberidze actively participates in international projects and exhibitions. His latest solo exhibitions: A Quiet Life (Gallery of Contemporary Art, Karvasla, Tbilisi, 2020); «…Lovely Garden...» (Baia Gallery, Tbilisi, 2023). His works have also been presented at the Museum of Contemporary Art KIASMA (Helsinki, Finland, 2007); Progressive Nostalgia – Centro per L’Arte Contemporanea Luiggi Pecci (Prato, Italy, 2007); Sotheby’s Auction House (London, UK, 2013) and the Vienna Fair (Vienna, Austria, 2014).

Sulaberidze received his education at the Tbilisi Academy of Arts, and in subsequent years continued his teaching activities at the Tbilisi Academy of Arts and the Free University School of Visual Arts and Design (VA(A)DS).

Curated by Sandro Sulaberidze, Mariam Tsikaridze.

Image: Kote Sulaberidze, ალაზნის ველი (Alazani Valley), 2025, Cardboard, oil, golden nitro enamel, 25 x 35 cm

TBC Concept flagship, Marjanishvili st.7 

Opening hours:

Monday-Saturday from 10:00 to 20:00.

On its 25th anniversary, GM PHARMA is starting with a significant milestone

On its 25th anniversary, GM PHARMA is starting with a significant milestone – the company has successfully passed the inspection of the Medical and Pharmaceutical Activities Regulation Agency and has been awarded, for the second time, the Georgian National Good Manufacturing Practice (GMP) compliance certificate.

Since January 1, 2022, an amendment to the Georgian law “On Medicines and Pharmaceutical Activities” has come into effect, making GMP (Good Manufacturing Practice) and GDP (Good Distribution Practice) certification mandatory for pharmaceutical product manufacturers and wholesale distributors. The recertification process takes place every three years, which GM PHARMA has successfully completed.

It is noteworthy that GM PHARMA’s solid dosage forms manufacturing site in Tbilisi, Georgia, is the largest pharmaceutical plant in the South Caucasus region and the only facility where a full production cycle of oral solid dosage forms is carried out. The full production cycle encompasses the entire process, from sourcing raw materials to the release of the final product, including dispensing, blending, granulation, tableting, tablet coating, capsule filling, bottle filling, sachet filling and blister and bottle packaging, quality control.

As the company states, the GMP certificate obtained in 2022 was not a novelty, as GM PHARMA had already been awarded the Good Manufacturing Practice (GMP) EU Vol. IV compliance certificate back in 2007 by the Heathside Information Services, United Kingdom.

Currently, the company holds all national and international certificates, permits and licenses required for pharmaceutical manufacturing: Good Manufacturing Practice – National GMP (Georgia, from 2022 year); Good Manufacturing Practice – GMP PIC/S (International, from 2014 year); Quality Management – ISO 9001:2015 and ISO 17025:2017/2018, etc.

Additionally, in 2023, GM PHARMA successfully completed the compliance audit for EU Good Manufacturing Practice standards (EU GMP: EudraLex – Volume 4 – Good Manufacturing Practice (GMP) guidelines), conducted by the highly reputable German company Heacon Service GmbH’s pharma-audit team. The Heacon group’s database includes information about the audit conducted at GM PHARMA, by which it was once again confirmed the compliance of the manufacturing site, laboratories, warehouse, equipment, utilities and quality management systems in general with the EU GMP standards.

It should also be noted that in 2024, a subsequent GMP inspection was conducted by the highly authoritative Ukrainian regulatory authority, based on which GM PHARMA was once again awarded the international GMP compliance certificate – PIC/S GMP. The Pharmaceutical Inspection Co-operation Scheme (PIC/S) is a non-binding, informal co-operative arrangement between Regulatory Authorities in the field of Good Manufacturing Practice (GMP) of medicinal products for human or veterinary use. PIC/S aims at harmonising inspection procedures worldwide by developing common standards in the field of GMP and by providing training opportunities to Inspectors. It also aims to facilitate co-operation and networking between competent authorities, regional and international organisations, thus increasing mutual confidence. Ukraine’s regulatory authority joined the PIC/S alliance in 2011. As of today, only the Baltic states and Ukraine represent the Post-Soviet region in this organization, highlighting the high reputation of Ukraine’s regulatory authority and the exceptional qualifications of its inspectors.

In 2024, GM PHARMA also successfully completed the GMP certification process conducted by regulatory authorities of Uzbekistan. It is noteworthy that significant reforms have been taking place in Uzbekistan’s pharmaceutical industry over the past two years. As a result, the country’s regulatory authority is planning to apply for PIC/S membership in the near future. This development further enhances the value of holding Uzbekistan’s GMP certificate.

GM PHARMA, the only international, multinational pharmaceutical company from Georgia, is actively preparing for EU Good Manufacturing Practice (EU GMP) standards. This marks a significant milestone in the company’s growth and development, as well as in the evolution of Georgia’s pharmaceutical industry.

All these achievements and compliance with international standards confirm GM PHARMA’s readiness to enter the European Union market.

The mission of GM PHARMA is to produce and supply healthcare products through a pioneering and innovative approach for the benefit of medicine and humanity by practicing all Quality and Safety norms and standards. The core value of the company is to touch and improve more patients’ lives with more GM PHARMA brands and products every day. Currently, more than 12 million patients are treated with GM PHARMA products in Georgia and the company’s international, export markets every year, which shows the recognition of the company by consumers and healthcare specialists.

GM PHARMA – Serving Those Who Needs It Most!

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Caroline Bos – lecture – Repair

As part of the Tbilisi Architecture Biennial, the TBC Concept multifunctional space (Marjanishvili 7) will host a lecture by Caroline Bos, co-founder of UNStudio, on October 8, 2024, at 7 p.m.

To correct mistakes… to fix… to mend…to make good… architecture, which is forever in the process of entropy, will always require us to make things better. We can do this in so many different ways, inventing and refining tools and techniques. Besides thinking of this topic pragmatically, UNStudio also reflects on our own discipline and on the good we can do to our living world.

Caroline Bos

BA, MSc, Int (F)RIBA

Co-Founder / Principal Urban Planner UNStudio

Honorary Professor at the University of Melbourne’s Faculty of Architecture, Building and Planning
Norman R. Foster Visiting Professor of Architectural Design, Yale School of Architecture

Caroline Bos studied History of Art at Birkbeck College of the University of London and Urban and Regional Planning at the Faculty of Geosciences, University of Utrecht. In 1988 she co- founded Van Berkel & Bos Architectuurbureau with the architect Ben van Berkel, extending her theoretical and writing projects to the practice of architecture. Realized projects include the Erasmus Bridge in Rotterdam, museum Het Valkhof in Nijmegen and the Moebius house.

In 1998 Caroline Bos co-founded UNStudio (United Net). UNStudio presents itself as a network of specialists in architecture, urban development and infrastructure. Completed urban development projects include the restructuring of the station area of Arnhem and the mixed-use Raffles City in Hangzhou, while current projects include the Southbank by Beulah mixed-use development in Melbourne and the masterplan for a leisure island in South Korea.

Caroline Bos has taught as a guest lecturer at Princeton University, the Berlage Institute in Rotterdam, The Academy of Fine Arts in Vienna and the Academy of Architecture in Arnhem. In 2012 she was awarded an Honorary Professorship at the University of Melbourne’s Faculty of Architecture, Building and Planning. For the academic year 2021-2022 she was Norman R. Foster Visiting Professor of Architectural Design at Yale School of Architecture. Central to her teaching is the inclusive approach of architectural works integrating virtual and material organization and engineering constructions. From 2020-2022 Caroline joined AM as Director AM Concepts and Supervisor Urban Planning AM.

“An Atlas of Commoning: Places of Collective Production” 

“An Atlas of Commoning: Places of Collective Production” 

 TBC Concept Flagship, #7 Marjanishvili str. 

**Guided Tour by the Curator**

– Date: Saturday,  October 5

– Time: 14:00 – 16:00

**Symposium: Commoning Tbilisi 

Date: October 5, Time: 16:30 – 19:00

Roundtable Discussion on Commoning and Informal Education 

With the weakening of state and market institutions, communities across the globe are increasingly taking control of their own futures, experimenting with alternative ways to share knowledge, skills, and resources to address collective challenges. How can commoning practices foster informal learning environments where knowledge is co-produced, shared, and distributed outside formal institutions? How can spaces of mutual learning and unlearning become catalysts for change, promoting more equitable and sustainable communities? Hearing from three local initiatives we will explore the relation between commoning and informal education in the arts, ecology and technology.

Guest Speakers: 

  – Wato Tsereteli, Center of Contemporary Art – Tbilisi (CCA)

  – Data Tsintsadze, Napirze, Rustavi

  – Levan Asatiani, Street School, Tbilisi

Roundtable Discussion on Commoning and Stewardship for Cultural Heritage

Cultural heritage is crucial in shaping community identity and helping people connect with their past, fostering a sense of belonging. Today, historic buildings and neighborhoods face the risk of being reduced to mere images, losing the collective practices that reflect shared interests. How can critical care and maintenance for the build environment contribute to placemaking and new forms of collective ownership? In this discussion, we will explore two neighborhood revitalization initiatives and examine how both tangible and intangible cultural heritage can inform the social and material regeneration of our cities.

Guest speakers:

– Nika Gabiskiria, Kibe project

– Lia Bokuchava, ICOMOS, Betlemi Neighborhood  

Moderated by Stefan Gruber and Tinatin Gurgenidze

Art & Travel International Film Festival Georgia 2024: A Successful Event for the Country

The first-ever Art & Travel International Film Festival, held from September 27-30, 2024, in Georgia, Amirani Cinema Grand Hall was a great success. The event brought together filmmakers, artists, and creatives from all over the world, celebrating the connection between art, travel, and cinema. It also played an important role in promoting tourism and showcasing Georgia’s beauty to a global audience.


The festival focuses on tourism categories and  plays an important role in the development of the global Tourism Film industry, which has many International models.Similar festivals are actively held in different countries of the world.

The festival not only brings together filmmakers, producers, from different countries,but promotes cultural exchange and at the same time realization of new creative  projects and cultural friendship between countries.

The festival was supported by the Georgia National Tourism Administration and Tbilisi City Hall, General partner  GTI Alliance (Georgia Tourism Industry Alliance)

 It was an important step for the country in positioning itself as a top travel destination for international visitors.

We were honored to host distinguished guests from different countries of the world such a s Portugal, France, Japan, Greece, Azerbaijan, Turkey, Georgia, Lithuania.
Their presence added international recognition to the event.

Key Highlights

  • Masterclasses by Manuela Morgaine, a French director, and Yuri Mechitov, a Georgian photographer.
  • Presentations of honorable Jury members and special guests.
  • Nearly 100 films and photo series from around the world were submitted, with Georgian filmmakers and photographers receiving special recognition for their outstanding work.

A Step Forward for Georgia

The festival was not only a celebration of art and travel but also an important milestone for Georgia’s tourism and cultural development. By hosting this event, Georgia took a big step in promoting its rich culture and natural beauty to the world. We are excited for the future and look forward to continuing this journey in the years to come.

The festival celebrated winners from countries like Poland, France, Portugal, India, Croatia, Ukraine, Turkey, Maldives, Greece and Georgia, reflecting the diverse and talented pool of global submissions. We are especially proud of the achievements of Georgian filmmakers, who shone brightly among the international participants. Their works were a testament to the rich storytelling and artistic potential of Georgia.

Among them :

Natalia Gabunia “Walk with Us – Martvili”,”Ozurgeti” -Camala Production

Ana Shanshiashvili (Georgia) with series “Old Tbilisian Professions”.

Lasha Adamashvili for series

“Imeretian Taste”.

Creative AD Agency REDPOINT (Georgia) – for the promo films

“The City of Meetings” and “I am Batumi”,

“Choose Ajara, Choose Georgia”

In a category of Travel photography:

Giorgi Gamgebeli (Georgia) with his two travel series “Georgia on my mind” and “Muslims in Highlands of Georgia”.

Tamta Aivazishvili and her photo series “Through Tamta’s lens”.

Alex Bokolishvili and his series “Everywhere is the Beginning”

George Varsimashvili and his photo travel series “High Altitude”.

Eka Demuria and her photo series Travel Time.

An Atlas of Commoning: Places of Collective Production

An exhibition by ifa-Institut für Auslandsbeziehungen in collaboration with ARCH+

Presented in cooperation with the Tbilisi Architecture Biennial (TAB) at TBC Concept Flagship

 7 Kote Marjanishvili St, Tbilisi 0102, Georgia

Opening: Friday, October 4, 18:00-20:00 

Symposium Commoning Tbilisi and Curator’s Tour: Sat. October 5, 14:00-19:00

Exhibition Duration: October 4 – November 15, 2024

Opening Hours: Monday–Saturday, 10:00-20:00

Curatorial Team: 

Anh-Linh Ngo, Mirko Gatti, Christian Hiller, Max Kaldenhoff, Christine Rüb (ARCH+); Elke aus dem Moore (ifa); Stefan Gruber (CMU)

Research Partners: 

School of Architecture, Carnegie Mellon University (CMU) Pittsburgh, Remaking Cities Institute, 

Prof. Stefan Gruber, and Technische Universität Berlin, Institute of Architecture, Prof. Rainer Hehl

Curators of Tbilisi Edition:

Stefan Gruber (CMU), Tinatin Gurgenidze (TAB), Mariam Shergelashvili 

Social media and other platforms whose business models are based on the commercialization of social relationships, have transformed words like “community,” “sharing” or “we” into empty concepts that no longer represent solidarity or a progressive social agenda, but rather form the basis for an emerging platform capitalism. This economic development is accompanied by a global political shift fueled by traditional community notions of identity and affiliation, exclusion and discrimination. Against this background, the exhibition and publication project An Atlas of Commoning aims to reclaim and redefine the open and emancipatory space of “we” as a concept. The project focuses on urban commons—here commons are to be understood as a set of practices dealing with the collective production and governance of (material and immaterial) resources and spaces in general, rather than with the resources themselves, hence “commoning,” the verb, takes center stage. Commoning is a process of dealing with differences and conflicts between the individual, the community and society. A process of spatial organization in the relations between production and reproduction, ownership and access to resources. A process that brings together solidarity networks and redefines individual and collective rights. The project questions the prevailing social and political structures and seeks new forms of collective, yet pluralistic, governance.

With contributions from: 

Morehshin Allahyari & Daniel Rourke; clemens krug architekten & Bernhard Hummel Architekt (Team: Oliver Clemens, Anna Heilgemeir,  Bernhard Hummel, Emma Williams); Assemble & Granby Workshop; Iwan Baan; Brandlhuber + Christopher Roth; DAAR Decolonizing  Architecture Art Residency; Theo Deutinger; Eureka; Manuel Herz;  Sandi Hilal, Philipp Misselwitz & Anne Misselwitz; Immo Klink; Kotti & Co; Kuehn Malvezzi; Angelika Levi; Golan Levin (F.A.T. Lab) & Shawn Sims  

(Sy–Lab); Makoko Waterfront Community; Tukano Maloca; Miethäuser Syndikat; National Union of Sahrawi Women; NLÉ Architects; PlanBude Hamburg, Svenja Baumgardt & Sylvi Kretzschmar; Common Ground e.V. & Nachbarschaftsakademie; Quest – Florian Köhl / Christian Burkhard;  Martha Rosler; Harald Trapp / Robert Thum; Urban-Think Tank, Chair of Architecture and Urban Design ETH Zürich; WiLMa GmbH; Samson Young.

The “Atlas of Commoning” also includes works by: 

Airbnb; ARGE ifau | HEIDE & VON BECKERATH; Atelier d’Architecture Autogérée; BARarchitekten; Bau- und Wohngenossenschaft Spreefeld  Berlin eG; Carpaneto Schöning Architekten; City in the Making; FATkoehl Architekten; Die Zusammenarbeiter; El Campo de la Cebada; Genossenschaft Kalkbreite; Genossenschaft Kraftwerk1; Go Hasegawa and Associates; IBeB GbR; Müller Sigrist Architects; Refugee  Accommodation and Solidarity Space City Plaza; Schneider Studer Primas; Stiftung House of One – Bet- und Lehrhaus Petriplatz Berlin; Gemeinde Yoshino; ZUS [Zones Urbaines Sensibles]. 

Tbilisi initiatives include the Betlemi Neighborhood Revitalization, Birzha, the Center of Contemporary Art Tbilisi, Napirze in Rustavi, the Kinbe Project, the Save the Rioni River Movement and Street School.

For more information, visit www.biennial.ge